In
Madrid the great Peruvian novelist Mario Vargas Llosa has just
published a nonfiction work, "La Civilización del Espectáculo, in which
he indicts the current deterioration of culture and the arts. "Culture,
in the traditional sense of the world, is today on the verge of
disappearing," he writes. "Or perhaps it has already disappeared,
discreetly emptied of its content and replaced by another, denatured
version of itself."
Nowhere is this deterioration more glaringly
evident than in the contemporary visual arts. Most of the work is
intellectually undemanding, offering no access to the rich historical
resources of art, yet offering "fun" instead. If, paradoxically, it can
be claimed that the work offers an incisive critique of capitalism and
consumerism, that is fine--provided one need only reflect for 30 seconds
or so on the lessons ostensibly conveyed.
The Pied Piper of Hamlin in
this realm is Andy Warhol. A current exhibition at the Metropolitan
Museum of Art documents the influence of this malign magus on sixty
other artists in the last half century. Influence to be sure, but to
what end? Actually, the reductio ad absurdum of the tendency excoriated
by Vargas Llosa is occurring at another NYC institution, the Museum of
Modern Art. http://www.nytimes.com/2012/ 11/22/garden/ moma-garage-sale-as-performance -art.html?pagewanted=all&_r=0
posted by Dyneslines at 2:51 PM 0 comments